The San People- Africa's Ultimate Survivors

1.1 The San People- Africa's Ultimate Survivors

The arrows are carried in quivers, and are made in such a way that the shaft dislodges from the head on impact. This is to prevent the animal from extricating the poisonous arrowhead and running off.

The San have a keen and highly trained eye for the hunt. Fresh animal droppings are an easy giveaway. But most of the time, it is not so easy. By analysing animal tracks, they are able to guess how far an animal is gone. This involves observing grass blades,
trampled termite nests and other clues in the path taken by an animal.

These observations can yield surprisingly precise details: species, age, sex, and size of an animal. For example an examination of the texture of animal droppings hints at the roughage content, and thus an estimate of an animal’s age: high fibre points a tired
digestive system of an older animal.

In a hunt, utmost silence is essential for some animals have very sensitive hearing. Hunters communicate only through hand signals and signs. The hunt is a team work experience, and is a test of
character and discipline. Tracking can sometimes go for more than a day, calling for patience and endurance. Once the prey falls within shooting range, the most advantageously placed hunter releases his arrow. There is no rush to immediately subdue the
animal, for the poison must be given time to take its toll.

If the prey runs off or goes into hiding, the San call on their intimate knowledge of animal behaviour. They stand at the point where the animal was shot, mimic its movements until they are able to retrace its tracks. This they believe is done from a spiritual dimension.

Knowledge of animal behaviour is an integral part of San socialization. Reading the mood of an animal determines the hunt technique to be deployed. For example the hunters may decide that no subterfuge is required and simply chase an animal to exhaustion. This practice is well captured in a recent documentary film, ‘The Great Dance, a Hunter’s Story’. This film about San hunting and tracking was made by James Hersov, Craig and Damon Foster, and Ellen Windemuth.

To the San, hunting is an imperative social and spiritual undertaking. It is a cooperative not a competitive affair where all work together to bring down the prey and share in the reward equally. The person whose arrow brought down the animal has however first priority to pick his portion of choice.

With the San certain animals score higher on the spiritual scale. The eland in particular enjoys high esteem and has a sacred place in the heart of the San. It is only hunted when necessary or for special occasions, for the San believes the eland is first among animals, and is his nearest kin in the animal world.

Folklore instructs them that animals were once humans who
after a disagreement turned into elands. All the other animals were subsequently born of the eland. Every time an eland is hunted, is a time of great celebration, divination and dancing. These animals are a great subject in most San rock paintings.

The primary daily task of San women is to gather food from the open country, and to take care of the young and the elderly. All the women of a band go out gathering together, each taking her baby kaross, a digging stick and small leather bags. They gather berries and other fruits, tubers, bulbs, nuts, tortoises, lizards, snakes, insects, eggs and small mammals. These foods make a
healthy low fat and low calorie diet which keeps the San very lean.

The women are very knowledgeable about the wild things of the veld. They seek out many indicators and can tell what to find where.

As the Kalahari has no surface water, the San have had to figure out how to do with little or no water. San women have a way of prospecting for water from the ground using reeds. But this is usually not necessary as their main source of drinking water is the tsamma melon. This blessed fruit is a wild desert melon, whose leaves are usable as vegetables, and its seeds are a source of protein and oil.

The San's stomach is very strong and versatile. They eat tortoise, lizards, insects, nuts -either raw or roasted, tubers, bulbs, and many little animals and birds. The San waste little - ostrich egg shells are used for water storage, and tortoise shells serve as cutlery.

San children are socialised together regardless of gender. But as the children grow older, the boys are required to tag along with their fathers on hunting trips. This marks the onset of their initiation process. As they gain in knowledge, they are allowed to shoot a few arrows. When judged to be ready they are taken on
their first eland hunt, and actually allowed to lead. If the hunt is successful, a boy is automatically initiated into manhood. This is marked by a celebration following the hunt, after which the boy is at liberty to marry and start a family.

Unlike many African communities, the San do not practice circumcision.

For girls, initiation into womanhood is entrusted to nature. Girls are taken as children until their first experience of menstruation. Because of the San's low fat and calorie diet, this is unlikely to happen until about the age of 19 years. After this event, the women hold a party in the girl’s honour. They perform the ‘eland bull dance’ in which they imitate the animal’s mating dance. At this point, she is considered a woman, ready to be married off to a fine young hunter.

It is acceptable for the parents to find a suitor for their daughter. But girls are not pressured to accept, and are still free to come up with their own choice. Like the rest of their lives, the San wedding ceremony is a simple affair. On a set day, the women apply a mixture of eland fat and red ochre on the bride. They sing and make merry as they wait for the groom to return from his hunt.
On return, the groom presents his hunt to the bride’s parents, and takes his bride away.

The newly weds build their tent-house and start their little hearth. They are free to choose whether to live with the bride’s or groom’s kin. There is no immediate pressure to start a family; the women chew on a special tree bark which has contraceptive properties. If a marriage fails to work, the wife simply returns to her parents’ fireplace, without any life sapping drama.

The San thrive on an economy of gift exchange. They have little understanding of the concept of private ownership, as their demands on the world are so few. Since they are nomads, and are constantly on the move, movable wealth is an unwelcome burden. There is little cause for trade as they share nearly everything they need, while the rest can almost certainly be picked from the bush with only a little exertion.

Animal skins serve as clothing, while a nice robe can be made from fibrous and climber plants. Tools are made from stones, bones, sticks and occasionally, iron.

The San and their peculiar way of life have always confounded many. You can tell this from the names others have bestowed on them. Some communities in Zimbabwe call them ‘Batwa’, a Bantu word meaning ‘people of the unknown’. In Zambia they are referred
to as Amasili; Kwankhala in Angola; Basarwa in Botswana, and San in Namibia and South Africa.

San is a Khoikhoi and Nama word meaning ‘outsider’. The Dutch called them ‘Boschjesmanne’ meaning ‘people of the boschveld’, from which the name Bushman is derived.  But the different Kalahari San communities call themselves by different names: for example, a
Kalahari group living on the border of Botswana and Namibia call themselves the Ju/'hoansi, or "the real people." The bushman term is however today considered to be derogatory, and in South Africa
they are officially referred to as the San.

The San people - and their culture and click consonant language- first came to the attention of the western world in the 1950s through Laurens van der Post's book 'The Lost World of the Kalahari'. This outstanding work was later turned into a BBC TV series.

Many more people came to know of the San through the hilarious and unforgettable 1980's movie "The Gods Must be Crazy". In this movie, a San band encounters the marvels of the outside world in the form of a coke bottle which falls from a light aircraft. They initially take the bottle to be a gift from heaven, but in the end come to see it as a curse.  The documentary, ‘Bushman’s Secrets’ by Rehad Desai also gives an excellent introduction to the world of the San.

The arrival of the Dutch and other colonials in the 17th century in San territory marked the beginning of a very difficult period for the San. They experienced the most barbaric treatment ever meted
on a people. The colonials did not concede their humanity- they viewed them as animals, and treated them as such. They shot them at every encounter, and took over much of their land for farming and ranching.

The Dutch also captured the San to serve as slaves and servants. For such a free ranging people, this was a terrible fate, and very few adapted well. The British on their part made attempts to civilize them first, and then domesticate them. They met with little success, and thus begun to look at them as vermin and competitors for good and vast grazing fields.

Believe it or not- the British began to issue licences to game hunters to wipe them out. By such measures, the San population in the affected areas was greatly thinned. By 1870, the San of the Cape of Good Hope had been hunted to extinction. The extermination lasted until 1936, when the last of the hunting licences was issued in Namibia. Most of the San had meanwhile gone into hiding, their population reduced to less that a quarter of what they are today.

The shabby treatment of the San, and that it went on for so long appears shocking today. No one spoke loudly enough for them, and perhaps only the weeping of the angels in heaven finally moved their earthly masters.

At present, about 100,000 San exist across southern Africa, with the largest populations in Botswana and Namibia. The San have remained so stubbornly attached to their traditional hunter-gatherer lifestyle, even into the recent past. The promise of stability, together with government efforts has pressured most
of them to convert to a modern sedentary lifestyle.

It has been a long struggle -physically and spiritually: they have had to abandon the shaman’s divinations in favour of hospitals, and their children miss out on instruction from elders as they attend schools.

Not all of the San are happy with change, and particularly at efforts to move them from their traditional habitats. Together with their international supporters they have recently waged a noisy media campaign against the Botswana government. In 2006 they obtained a reprieve when they won a court case against the government in contesting their forcible move from the Central Kalahari Game Reserve supposedly to preserve wildlife, but according to some to clear the way for diamond mining.

Today the San and their lifestyle arouse much the curiosity of tourists. Their ancestral lands also habour wildlife, and numerous rock art. These ancient artworks -some dating to the Stone Age, are Africa's oldest art paintings. They can best be seen at the
Twyfelfontein in Namibia, Drakensberg in Lesotho, Tsodilo Botswana, Brandberg, Kruger and Kagga Kamma in South Africa, and the Matobo Hills of Zimbabwe.

You can interact with the San, and at the same time see the wildlife and other attractions that share their ancient domicile on a guided wildlife and cultural tour in South Africa..